Aia I Ka Wai: Dialogues on [the Present and Future of] Hawaiian Music

The below is quoted directly from an emailed press release. For more information, please see contact information at bottom.

The series “ ... aia i ka wai ... Dialogues on [the Present and Future of] Hawaiian Music” brings together stellar constellations of cultural and educational leaders in a collaboration of unprecedented scale. Join us in a series of dialogues to recognize accomplishments and envision new directions for studying, teaching, presenting and producing Hawaiian music in the 21st century.

The Hawaiian Renaissance of the 1970s solidified the foundation for the flourishing of Hawaiian performance traditions. Amidst the momentous transformations in the music and entertainment industries globally, and the vigor of Native Hawaiian cultural self-determination, we are at an opportune moment to reflect, imagine, and chart paths anew.

Series convenor Amy Ku‘uleialoha Stillman* moderates five events that will facilitate interaction among invited participants and audience. Join in on exploring common goals for education and industry sectors to strengthen excellence in Hawaiian music.

Location:  Kamakakūokalani Center for Hawaiian Studies, University of Hawai‘i at Mānoa, 2645 Dole St. Honolulu, HI 96822

Time:  6:00-8:30 pm; preceded by musical performance from 5:00-5:45pm

Free admission and open to all. Parking is available adjacent to the Center.

Dates:

Friday January 21, 2010: Assessing the Documentary Record. What accomplisments should we be celebrating, and what endeavors should we be initiating?
Participants: DeSoto Brown, Jay Junker, Michael Keany, Maile Loo-Ching, Puakea Nogelmeier, Ricardo Trimillos

Friday February 4, 2010:  Producing Culture. What are the conditions necessary to support creative excellence?
Participants: Manu Boyd, Keala Chock, Ku‘uipo Kumukahi, Michael Pili Pang, Cody Pueo Pata, Jordan Sramek

Friday February 25, 2010: Creating Culture. What is the place of creativity and innovation in a heritage tradition?
Participants: Snowbird Bento, Kekuhi Keali‘ikanaka‘oleohaililani, Nāpua Mākua, Taupouri Tangarō

Friday March 11, 2011: Nurturing the ‘Ōhā. What kinds of knowledge could strengthen the production and scholarship on Hawaiian performance?
Participants: Leilani Basham, Keawe Lopes, Nola Nahulu, Jon Osorio, Aaron Salā, Kalena Silva

Friday April 1, 2011: Gathering the Seeds. What new ‘ike have we generated about Hawaiian music and Hawaiian music studies? A summary and synthesis presented by series convenor Amy Ku‘uleialoha Stillman. Note: this program will take place at the UH Mānoa Music Department, Choral Rehearsal Room (Rm. 36). 

Major sponsorship for this series is provided by the Dai Ho Chun endowment at University of Hawai‘i Foundation, the UH Mānoa College of Arts & Humanities, the Hawai‘inuiākea School of Hawaiian Knowledge, and the UH Mānoa Departments of American Studies and Music.

* Amy Ku‘uleialoha Stillman is the 2010-2011 Dai Ho Chun Distinguished Visiting Professor in the College of Arts & Humanities at UH Mānoa.


For further information:
Visit us at   http://amykstillman.wordpress.com/dialogues/
Visit our Facebook Event page at  “aia i ka wai --  Dialogues . . . ”
Email Amy Ku‘uleialoha Stillman at  amyk88@hawaii.edu

Comments

Post a Comment

Popular posts from this blog

Jack Tobin Papers

Image
--> Pacific Collection librarian Eleanor Kleiber recently finished processing the Jack Tobin Papers , and they are now available for public use. Jack Adair Tobin, Ph.D. (June 15, 1920-June 18, 2010) was an anthropologist who worked in the Marshall Islands, beginning in 1950. This manuscript collection, which comprises roughly six linear feet of material and covers the bulk of Dr. Tobin's professional life, is extremely important in that it contains primary source documentation of numerous aspects of Marshallese life during a period of intense change. In addition to the physical materials in the collection, nearly 2,000 photographs have also been digitized and are available online . A finding aid for the collection is also available online . The Jack Tobin Collection is one of more than 60 Pacific manuscript collections -- because these collections are comprised primarily of unpublished material, they are an important tool when searching for primary source docume...
Read more

Bidding a fond Aloha to Joan Hori

Hawaiian Collection curator Joan Hori retired on December 28, after 44 years of service at the University of Hawai'i. In addition to her position as curator, at the time of her retirement Joan also served as department head of the Hawaiian and Pacific Collections.  Joan began working at UHM's Sinclair Library in 1968, eventually taking on responsibility as head of Sinclair. In 1993 she transferred to Hamilton Library, and in 1995 she joined the Hawaiian Collection. She became curator of the collection after Chieko Tachihata's retirement in 1999.  Joan's better known projects include Hawai'i's first Hawaiian language digitization project in the late 1990s, and the English language digitization project which has brought us free online access to pre-1923 issues of the  Hawaiian Gazette ,  Garden Island ,  Maui News , parts of  Hilo Tribune , the  Honolulu Star-Bulletin  and its predecessors, and a number of other titles. The project is ongo...
Read more

On Display: Snitch

Image
The Hawaiian & Pacific Collections are currently exhibiting a sculpture titled "snitch," by Aotearoa-based artist Brett Graham. The sculpture is on loan from the UH Art Gallery, which provided the below description: Brett   Graham   (Aotearoa/New Zealand)  snitch, 2014 foam, tar, feathers Different manifestations of binding can involve alienation, appropriation and misappropriation that may result in an integration of sorts. But even when relevant facts are known, integration with a partial or total disconnect can also occur. As a character, Stitch has an alien origin—that is, alien to Earth. The creators of the animation film  Lilo and Stitch originally intended the narrative to be set in Kansas. But the plot was shifted to Hawai‘i where a Hawaiian family adopts Stitch. The family was portrayed as dysfunctional and impoverished by a failing American economy. The long-standing reasons for these conditions—the overthrow of the Hawaiian monarchy, col...
Read more