Center for Pacific Islands Studies 60th Anniversary Year

On the evening of February 25, the official opening reception for the Center for Pacific Islands Studies' 60th anniversary was held in the Hawaiian & Pacific Collections reading room. Hawaiian Curator and H&P dept. head Joan Hori welcomed the group of over 100 guests with an oli. The Pan-Pacific Association (which is comprised of students in the CPIS and other UH programs) performed songs and dances from throughout the Pacific. Many of the guests were CPIS alumni, including legislators Kalani English and Clayton Hee, who are pictured here presenting a special legislative proclamation to Dr. Vilsoni Hereniko, the Center's current director. Also picture are Dr. David Hanlon and Dr. Robert Kiste (from left), both of whom are former directors of the Center.

The evening's festivities were just the first in a series of events that will take place throughout 2010, culminating in November with the annual CPIS Conference. Other events include a film series, which kicks off with screenings of the climate-change documentary Beautiful Islands April 18-22, as part of the Hawaii International Film Festival. A lecture series will be held throughout the fall.

More details will be posted here as events approach.

Comments

Post a Comment

Popular posts from this blog

Jack Tobin Papers

Image
--> Pacific Collection librarian Eleanor Kleiber recently finished processing the Jack Tobin Papers , and they are now available for public use. Jack Adair Tobin, Ph.D. (June 15, 1920-June 18, 2010) was an anthropologist who worked in the Marshall Islands, beginning in 1950. This manuscript collection, which comprises roughly six linear feet of material and covers the bulk of Dr. Tobin's professional life, is extremely important in that it contains primary source documentation of numerous aspects of Marshallese life during a period of intense change. In addition to the physical materials in the collection, nearly 2,000 photographs have also been digitized and are available online . A finding aid for the collection is also available online . The Jack Tobin Collection is one of more than 60 Pacific manuscript collections -- because these collections are comprised primarily of unpublished material, they are an important tool when searching for primary source docume...
Read more

Bidding a fond Aloha to Joan Hori

Hawaiian Collection curator Joan Hori retired on December 28, after 44 years of service at the University of Hawai'i. In addition to her position as curator, at the time of her retirement Joan also served as department head of the Hawaiian and Pacific Collections.  Joan began working at UHM's Sinclair Library in 1968, eventually taking on responsibility as head of Sinclair. In 1993 she transferred to Hamilton Library, and in 1995 she joined the Hawaiian Collection. She became curator of the collection after Chieko Tachihata's retirement in 1999.  Joan's better known projects include Hawai'i's first Hawaiian language digitization project in the late 1990s, and the English language digitization project which has brought us free online access to pre-1923 issues of the  Hawaiian Gazette ,  Garden Island ,  Maui News , parts of  Hilo Tribune , the  Honolulu Star-Bulletin  and its predecessors, and a number of other titles. The project is ongo...
Read more

On Display: Snitch

Image
The Hawaiian & Pacific Collections are currently exhibiting a sculpture titled "snitch," by Aotearoa-based artist Brett Graham. The sculpture is on loan from the UH Art Gallery, which provided the below description: Brett   Graham   (Aotearoa/New Zealand)  snitch, 2014 foam, tar, feathers Different manifestations of binding can involve alienation, appropriation and misappropriation that may result in an integration of sorts. But even when relevant facts are known, integration with a partial or total disconnect can also occur. As a character, Stitch has an alien origin—that is, alien to Earth. The creators of the animation film  Lilo and Stitch originally intended the narrative to be set in Kansas. But the plot was shifted to Hawai‘i where a Hawaiian family adopts Stitch. The family was portrayed as dysfunctional and impoverished by a failing American economy. The long-standing reasons for these conditions—the overthrow of the Hawaiian monarchy, col...
Read more